Lily Allen’s One-Woman Show Is the Least Populous Pop Tour of the Year. Is It Also the Best?

Home Music Columns May 2, 2026 3:58pm PT Lily Allen’s One-Woman Show Is the Least Populous Pop Tour of the Year. Is It Also the Best? By Chris Willman Plus Icon Chris Willman Senior Music Writer and Chief Music Critic ChrisWillman Latest Post Malone Cancels First Few Weeks of ‘Big Ass Stadium’ Shows With Jelly Roll, Citing Need to Finish New Album: ‘We Ain’t Ready for Tour Just Yet’ 17 hours ago Jane Fonda Testifies to Robert Redford’s Irresistibility at TCM Film Festival — ‘I Asked Him, “Do You Ever Have Affairs?”‘ — and Says She Was Kidding About Wanting Streisand’s Oscars Slot 1 day ago Amy Allen Named Songwriter of the Year at ASCAP Pop Awards; Laufey Receives Creative Voice Award 1 day ago See All Christina Bryson There’s something deeply counterintuitive about the idea that we would go to a pop concert — the most communal-seeming of all gathering places, outside of a football game or church — in order to stop cheering, forget about everyone around us and just go deep into someone’s personal headspace. That is the stuff of live theater, at its best, and not so much Live Nation. But of course Lily Allen is out to blur those lines with her tour of “West End Girl,” the narrative concept record she put out last year. As every fan learned pretty quickly into the run, she is doing the album, the whole album and nothing but the album, adding plenty of acting out and visualization but nothing so much as a “Hello, Cleveland!” to break the fourth wall. It could not be any more of a theater piece if she’d booked the Walter Kerr for six weeks. Related Stories Versant Sells SportsEngine to Playmetrics